Beiträge können hier gelesen und heruntergeladen werden.

INHALT

Philip Muijtjens
The Funerary Chapel of Cardinal Bessarion in the Basilica of SS XII Apostoli in Rome: Commemoration and Competition | 1

Stefano de Bosio
Unfolding Images: Lateral Reversal, Art History, and Early Modern European Printmaking | 34

Funda Berksoy
Osman Hamdi Bey’s ‘Turkish Street Scene’ and Late-Nineteenth-Century Power Relations between the Ottoman and German Empires | 55

Marie Gispert
De l’exposition de Mannheim (1925) aux ‘Réalismes’ (1980–1981) : pistes pour une réception de la Nouvelle Objectivité en France | 80

MISZELLE

Norman E. Muller
Luca di Tommè’s ‘Crucifixion’ in Montepulciano: Its Construction and Function | 102

BUCHBESPRECHUNGEN 

Michelangelo, Old Age, and Friendship: ‘Michelangelo: The Last Decades’ (exh. cat. British Museum, London), ed. by Sarah Vowles and Grant Lewis
Reviewed by Carolina Mangone | 117

Maarten van Heemskerck in Berlin: ‘The Allure of Rome: Maarten van Heemskerck Draws the City’ (exh. cat. Berlin, Staatliche Museen, Kupferstichkabinett), ed. by Tatjana Bartsch and Christien Melzer
Reviewed by Carolyn Yerkes | 124

‘Pessimisme productif’: Victor Claass, ‘L'impressionisme à ses frontières: Le cas Meier-Graefe et la lutte pour l’art moderne en Allemagne' (Passages, Bd. 67)
Rezensiert von Stephanie Marchal | 131

Netzwerkerin, Sammlerin und Künstlerin: Jessica Sjöholm Skrubbe, ‘Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art’
Rezensiert von Rachel Mader | 138