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Kirsten J. Burke, M.A.

Stipendiatin des DAAD am Zentralinstitut für Kunstgeschichte, Januar - Juli 2021

Gruppe/n: Ehem. Fellows


  • 2017 | PhD Candidate, History of Art and Architecture, Harvard University, Cambridge, MA.
    Dissertation: Johann Neudörffer and the Writing Masters of Renaissance Germany
    (Advisor: Joseph Koerner)
    M.A., History of Art and Architecture (in passing, 2019) Harvard University
  • 2013 – 2017 | Bachelor of Arts, History of Art, Johns Hopkins University, Baltimore, MD. With Highest Honors (4.0) and Honors Thesis

Selected Awards and Fellowships

  • 2020-21 | Frederick Sheldon Traveling Fellowship, Harvard University Graduate School of Arts and Sciences
  • 2020-21 | DAAD One-Year Research Grant, Zentralinstitut für Kunstgeschichte, Munich
  • 2020 | Special Commendation for Extraordinary Teaching, Spring 2020
  • 2019 | Samuel H. Kress Foundation Grant for “Northern Renaissance Art: Collections, Research and Recent Developments,” co-organized by the Rijksmuseum (Amsterdam) and the RKD / Netherlands Institute for Art History (The Hague), August 4-14, 2019
  • 2018 | Summer Predissertation Fellowship (Summer 2018), Harvard University
  • 2017 | Stanton-Forgione Prize, for outstanding achievement in the History of Art, Johns Hopkins University
  • 2016 | Robert and Nancy Hall Fellowship, Summer Term, The Walters Art Museum, Baltimore
  • 2015 | Max Kade Center for Modern German Thought Travel Grant, Department of German and Romance Languages and Literatures, Johns Hopkins University
  • 2014 – 2017 | Woodrow Wilson Research Fellowship, Johns Hopkins University
  • 2014 – 2015 | Provost’s Undergraduate Research Award, Johns Hopkins University

Publications and Presentations

  • for 2022 | “Woodcut as Modernist Medium? Paul Westheim’s Das Holzschnittbuch
    in From Posada to Isotype: International Political Print Culture 1900-1945: Nation State, Proletarian Internationalism, Exile, exhibition catalog, ed. Benjamin Buchloh (forthcoming 2022)
  • 2021 | “Print and the Early Modern Playing Card,” Oxford Art Journal (forthcoming August 2021)
  • 2020 | “Johann Neudörffer and the Writing Masters of Renaissance Germany,” From Extracting Treasure to Creating Knowledge: Early Modernities (Harvard-Princeton Conference in Early Modern History, February 14-15, 2020)
  • 2019 | “Picturing the Islamic World as Ruin in Konrad Grünemberg’s Pilgrimage Journey
    (c. 1487),” Harvard Medieval Studies Interdisciplinary Workshop (October 7, 2019)
  • 2019 | "Intersections between Media: European Medals, Prints, and Paintings from the 16th-19th Centuries,” Art Study Seminar with Jessie Park, Harvard Art Museums (April 5, 2019)
  • 2016 | “Playing with Peter Flötner’s Cards,” Subversion, Parody and Paradox in Medieval and Early Modern Art, 1350-1700, collaborative Workshop with Technische Universität Dresden and Johns Hopkins University, Baltimore (May 5-6, 2016)


[Stand: Juli 2021]