• DAAD fellowship at the Zentralinstitut für Kunstgeschichte, Munich, November 2026-January 2027
• Prize Traverses of the Institut Français, 2025
• Adjunct professor in contemporary art history, Université Rennes 2 and UCO, Angers, September 2025–June 2026
• Teaching and research assistant (ATER), Université Rennes 2, September 2023–August 2025.Fulbright Fellowship with the support of the Institut des Amériques, Visiting Student at Binghamton University, New York, August 2017–January 2018
• Terra Foundation of American Art travel research grant, 2017
• Graduate researcher for the research programme PRISME (La critique d'art, prisme des enjeux de la société contemporaine), Archives de la critique d'art, Rennes, September 2015–December 2018

Forschungsschwerpunkte 

• Ecocritical contemporary art history
• Artistic and cultural transfers between Europe and the United States from 1950s to the 1970s
• History of art criticism

Literaturverzeichnis

Aufsätze

• »Erdsicht-Global Change: A Vantage Point not so Remote from Politics«, in: Vuslat D. Katsanis/Ilknur Demirkoparan (Hg.), Post-collapse Art: Art Since 1989, 2026 | https://postcollapse.art/erdsicht-global-change-a-vantage-point-not-so-remote-from-politics/
• »La critique d’art au premier sommet de la Terre : le rôle consultatif de l’AICA auprès des instances onusiennes (1971–1976)«, in: Théia. Revue d’histoire et d’histoire de l’art 3, 2026 | https://publications-prairial.fr/theia/index.php?id=434
•  »La Triennale du Wisconsin ou le “Midwest Nice”/The Wisconsin Triennial, or “Midwest Nice”«, in: Critique d’art 65, Herbst/Winter 2025, S. 78–116 | https://journals.openedition.org/critiquedart/127550
• »Nature from the old continent can't be pop«, in: Journal of Global Pop Cultures 2, August 2023| https://www.journalofglobalpopcultures.com/issues/the-natures-of-pop/nature-from-the-old-continent-can-t-be-pop
• »From art criticism to art history, challenging the environmental denial in the writings of the Nouveau Réalisme in the transatlantic world«, in: Marzia Faietti/Gerhard Wolf (Hg), MOTION: TRANSFORMATION, Bologna: Bologna University Press 2021, S. 403–408.

Katalogbeiträge

• »Les rendez-vous manqués de Burhan Doğançay avec la scène artistique de son époque«, in: Les Murs de Burhan Doğançay, Zurich: Verlag Scheidegger & Spiess 2023, S. 27–37.
• »Mimmo Rotella's relations to Paris, to France, and to the Nouveau Réalisme 'system': a history under the control of Pierre Restany«, in: Germano Celant (Hg.), Mimmo Rotella Manifesto, Rome: Galleria nazionale d’arte moderna; Milan: Silvana Editoriale 2018, S. 137–144.

Rezensionen (Auswahl)

• »Lawrence Alloway, Violent America : les films (1946–1964), Paris: Macula 2025«, in: Critique d’art, 2025 | https://journals.openedition.org/critiquedart/133327#quotation
• »Yves Klein Italie«, in: Critique d’art, 2024 | https://journals.openedition.org/critiquedart/118743 

• »Kader Attia, Anselm Franke, Ana Teixeira Pinto (Hg.), The White West: Fascism, Unreason, and the Paradox of Modernity, London: Sternberg Press; Berlin: Haus der Kulturen der Welt 2023«, in: Critique d’art, 2023 | https://journals.openedition.org/critiquedart/118742 

• »Lisa E. Bloom, Climate Change and the New Polar Aesthetics: Artists Reimagine the Arctic and Antarctic, Durham: Duke University Press 2022«, in: Critique d’art, 2022 | https://journals.openedition.org/critiquedart/109856