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Nicole Pulichene, M.A.

Stipendium der Samuel H. Kress Foundation (September 2017 bis August 2019)

Dissertation Completion Fellowship, Harvard University Graduate School of Arts and Sciences (GSAS) (Oktober 2019 bis Juli 2020)

Zimmer: 143

Telefon: +49 (0)89-289-27590
Gruppe/n: Stipendiaten


Harvard University, Cambridge, MA

(in progress) Doctorate in History of Art and Architecture

Dissertation: “‘One Whose Name was Writ in Wax’: Reflections on the Medieval Reuse of Consular Diptychs”
Advisor: Jeffrey F. Hamburger

The Bard Graduate Center, Bard College, New York, NY
2013 Master of Arts in Decorative Arts, Design History, and Material Culture

The University of Chicago, Chicago, IL
2010 Bachelor of Arts in Art History, with honors; minor in French Language and Literature

Honors and Awards

  • ab Oktober 2019 Harvard University Graduate School of Arts and Sciences (GSAS) Dissertation Completion Fellowship
  • 2017-2019 Stipendiatin der Samuel H. Kress Foundation am Zentralinstitu für Kunstgeschichte
  • 2017 International Center of Medieval Art, First Place Graduate Student Essay Prize
  • 2017 Medieval Academy of America/CARA Summer Scholarship
  • 2016-2017 Deutscher Akademischer Austauschdienst (DAAD) Doctoral Candidate Research Grant
  • 2016-2017 Dumbarton Oaks Fellowship Stipend, Harvard University
  • 2015 Jens Aubrey Westengard Fund Scholarship
  • 2014 Samuel H. Kress Foundation, Language School Fellowship
  • 2013 Clive Wainwright Award for an outstanding MA Qualifying Paper and contribution to the field
  • 2011-2013 Bard Graduate Center Fellowship, Scholarship, and Editorial Fellowship

Publications and Presentations

  • “Order and Chaos in Late Antique Consular Diptychs and Early Medieval Memoria.” Workshop presented at the Zentralinstitut für Kunstgeschichte (January 19, 2017)
  • “‘One Whose Name was Writ in Wax’: Reflections on the Medieval Reuse of the Boethius Diptych.” Presented at the Anneliese Maier Prize workshop “Liturgy, Libraries, and Learning among the Dominicans,” Düsseldorf (November 2016)
  • “Veiled Hands, Veiled Presence: The Donor Portrait of Otto I in the Presentation Panel of the Magdeburg Ivories.” Presented at the Vagantes Conference on Medieval Studies, University of Wisconsin-Madison (March 2013)
  • “To Touch the Divine: Picturing Christocentric Touch in Late Medieval Passion Devotion,” Hortulus 8/1 (2012)