Benutzerspezifische Werkzeuge

Aus Anlass der Vergabe des Wolfgang-Ratjen-Preises 2023 an Dr. Ksenija Tschetschik-Hammerl, Darmstadt, für ihre Dissertation „Originalität der Nachahmung um 1600: Kunst begegnet Natur bei Hans Hoffmann und Daniel Fröschel" sowie des Sonderpreises an Tamara Kobel, M.A., Laupen, Schweiz, für ihre Masterarbeit „Der ‚Eyerstock‘ von Wilhelm Stettler. Handzeichnungen als künstlerisches Werkzeug und Sammlungsmedium“.

Towards the end of the 17^th century, two ideals stirred the imaginations of European architects and their patrons: Papal Rome and the France of Louis XIV. Whether they had studied and travelled abroad or not, many architects from Northern and Central Europe experimented with solutions that combined the sometimes incongruous elements of French and Roman Baroque. This lecture will explore how they used drawings to understand, develop and communicate the style – or variations on a theme – that might be labelled International Baroque.

Martin Olin is associate professor in the history of art and the director of research at the Nationalmuseum in Stockholm. From 2013 to 2015, he was the assistant director of the Swedish Institute in Rome. He has published on various aspects of the collection of architectural drawings in the Nationalmuseum collection and on 17^th- and 19^th-century painting.
[Caption: Nicodemus Tessin the Younger, Idea for a royal pavilion and a tempel in a garden, 1712, pen and ink, 32.5 x 20.3 cm, Nationalmuseum, Stockholm, NMH 1026/1890]

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PARTICIPATION:
The event will take place in a hybrid format. You can join the Zoom meeting at the following link:  https://us02web.zoom.us/j/85659345839?pwd=UmFZYU0xN1NxMGJ1MjlQM054NXgvZz09. Meeting ID: 856 5934 5839 | Password: 148258.